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Download Ogan Donor - Frenzal Rhomb - Hi-Vis High Tea (Vinyl, LP, Album)
2017
Label: Fat Wreck Chords - FAT978-1 • Format: Vinyl LP, Album • Country: US • Genre: Rock • Style: Punk


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7 thoughts on “ Ogan Donor - Frenzal Rhomb - Hi-Vis High Tea (Vinyl, LP, Album) ”

  1. Just like the album prior, Smoko at the Pet Food Factory (), Hi-Vis High Tea () was recorded at The Blasting Room in Fort Collins, Colorado by Jason Livermore and Bill Stevenson, who sure knows his punk having worked with greats such as The Descendents and Black Flag.
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  2. For Hi-Vis High Tea, Frenzal Rhomb pulled out all the stops, and returned to the unswerving Bill Stevenson and Jason Livermore at the Blasting Room to .
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  3. Buy Frenzal Rhomb - Hi-Vis High Tea (Transparent Orange Vinyl) [Import] [LP] [Colored Vinyl, Orange, Limited Edition, Australia - Import] at sicilicumasletovaniridire.coinfo Music: Rock:
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  4. Hi-Vis High Tea is the ninth studio album by Australian punk band Frenzal sicilicumasletovaniridire.coinfo was recorded in Colorado, USA, with Bill Stevenson as producer and was released in Australia on Shock Records and Fat Wreck Chords on May 26, It was nominated at the ARIA Music Awards for Best Hard Rock/Heavy Metal Album, but lost to Northlane's Mesmer.. The album is the first since a series of Genre: Punk rock, Pop punk, Skate punk, Melodic hardcore.
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  5. Nov 28,  · Music Reviews: Hi-Vis High Tea by Frenzal Rhomb released in via Fat Wreck Chords. Genre: Skate Punk%.
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  6. Buy Frenzal Rhomb Hi Vis High Tea Vinyl LP today from Discrepancy Records with Fast & Free Delivery Australia's Top Rated Online Vinyl Record LP Store, Ogan Donor: B9: Food Court: Be The First To Review This Product! Welcome to Discrepancy Records Australia's largest independent vinyl LP record store. 2A/2B Milne Road, Mont Albert North.
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  7. INFO: After two and half decades, eight studio albums and their recent greatest hits record "We Lived Like Kings;" it is safe to say that Frenzal Rhomb is Australian Punk royalty. For "Hi-Vis High Tea," Frenzal Rhomb pulled out all the stops and returned to the unswerving Bill Stevenson and Jason Livermore at the Blasting Room to create 20 blistering tracks clocking in at just over 30 minutes.
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